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bach piano suites

Regardless of the outcome, the original source is of such exceptional depth and appeal that for the past three centuries it attracted a steady stream of pilgrims, ready to sacrifice their time and energy for the joy of communion… Bach's English Suites display less affinity with Baroque English keyboard style than do the French Suites to French Baroque keyboard style. One common method of renewal is through transcription. On the heels of the recent recording – “breathtaking in its sheer precision and vitality” (Pianist magazine) – of her own transcription for four-hands piano of J.S. They probably date from around 1713 or 1714. Bach’s Brandenburg Concertos, pianist Eleonor Bindman has now completed a new project: a solo piano transcription and recording of all six of Bach’s suites for unaccompanied cello. … The transcription offers scope for some adventurous interpretation, particularly in the wonderfully playful pairs of Minuets, Bourrées and Gavottes. Bach is recognised and revered by everyone who is musically educated. The new recording will be released on the Grand Piano label, a subsidiary of Naxos, on October 9. Balanced in sound, perfectly attuned to each other, the version reveals new sides to these works, and the pianists equally do justice to the solos as well as the tutti with four hands, so that it would be a real pleasure for Bach. These pieces have been transcribed many times for instruments from trombone to charango, starting with the lute version of Suite No. The resulting musical statement may be a faithful reproduction (my personal preference), a transformation beyond recognition or something in between. This transcribing practice has persisted and is still very much alive, as evidenced by many current recordings, including this one. Among Bindman’s motivations was the desire to make the music accessible to amateur pianists, for whom these single-voice masterpieces can now be an experience of the beauty and structure of Bach’s music without the problems of coordination that can make even the simplest two-part inventions a daunting challenge. By: Rosalyn Tureck From the Rosalyn Tureck Collection, Howard Gotlieb Archival Research Center at Boston University. Surface characteristics of the English Suites strongly resemble those of Bach's French Suites and Partitas, particularly in the sequential dance-movement structural organization and treatment of ornamentation. As a matter of fact Bach himself regularly transcribed his own and other composers’ music and created different instrumental versions of the same piece. Fortuitously, the current pandemic-imposed limitations on the fine arts and human contact make this part of her purpose even more significant. Bach—Piano, Harpsichord or Clavichord? His output, studied by the greatest composers and the youngest apprentices alike, has been an inexhaustible source of inspiration, imitation and renewal. From Sonatas and Partitas for Solo Violin, BWV 1001–1006: Index of articles associated with the same name, Miscellaneous suites and suite movements, BWV 832–845, List of keyboard and lute compositions by Johann Sebastian Bach § Works for solo lute (BWV 995–1000), Prelude, Fugue and Allegro in E-flat major, BWV 998, Sonatas and Partitas for Solo Violin (Bach), Sonatas and Partitas for Solo Violin, BWV 1001–1006, Partita in A minor for solo flute, BWV 1013, List of compositions by Johann Sebastian Bach, Six Sonatas for Violin and Harpsichord, BWV 1014–1019, Sonatas for viola da gamba and harpsichord, BWV 1027–1029, Sinfonia for violin and orchestra, BWV 1045, For two harpsichords in C minor, BWV 1060, https://en.wikipedia.org/w/index.php?title=Suite_(Bach)&oldid=889368012, Short description is different from Wikidata, Former disambiguation pages converted to set index articles, Creative Commons Attribution-ShareAlike License, This page was last edited on 25 March 2019, at 07:19. But previous piano versions, particularly in the 19th century, tended toward “improvements” ranging from added harmonies to newly composed accompaniments. … Like the works included in her ‘Stepping Stones to Bach’, Eleonor has provided pianists with yet more repertoire to explore, and her elegantly, meticulous transcriptions shine a new light on this wonderful music while also remaining true to the original.” —Frances Wilson, The Cross-Eyed Pianist, “Her skillfully wrought arrangements… [treat] the solo cello lines straight, and… you get Bach’s text served up with sensitivity and taste… Bindman’s well-considered tempos address the music’s dance origins. Read more on the Brandenburg Duets Project page, “The Six Solo Cello Suites are some of the most celebrated and much-loved works in the classical repertoire, and they continue to fascinate and inspire performers and audiences alike.

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