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best art books

The best drawing books will teach you everything from figure drawing and cartoons to art theory. ‘JULIE MEHRETU’ Edited by Christine Y. Kim and Rujeko Hockley (Whitney Museum of American Art/DelMonico Books/Prestel). Read about her contribution to “Artistic License” at the Guggenheim. Middle Row from left: Museum Folkwang Essen/ARTOTHEK; Musée du Louvre; Juliana Huxtable and JTT, The Studio Museum in Harlem; via Casas Riegner Gallery; via M.I.T. Part of: The Life Changing Magic of Tidying Up (2 Books) | by Marie Kondō | Oct 14, 2014. In what might be called a noir-Pop style, the artist combines sensationalist images from Colombian tabloids (crimes, assassinations) with outtakes from Western art to chronicle a country gripped by continuous civil strife — La Violencia — since the 1940s. These books are perfect for aspiring concept artists who want to study the work of professionals. ‘FESTAC ’77’ By Chimurenga (Chimurenga, Afterall Books and Koenig Books). Clockwise from top left, Vitra Design Museum, Iwan Baan; Skira; Julie Mehretu, Crystal Bridges Museum of American Art; Galleria Regionale della Sicilia di Palazzo Abatellis. Rishi Sunak is fighting a battle for traditional Tory values, What the world can learn from the Covid-19 pandemic, China sends a message with Australian crackdown, Back in the frame: collecting rare art books. ‘AMONG OTHERS: BLACKNESS AT MOMA’ By Darby English and Charlotte Barat (Museum of Modern Art). The resulting book is a glorious, poetic celebration of this singular subculture. In the early Renaissance it was the most prestigious art form of all; now tapestry is back, part of a reputational revival of textile arts that’s also unclouded the achievements of neglected modernists. What goes on in the studios of The Haas Brothers, KAWS, Marina Abramović and John Currin? ‘ANTONELLO DA MESSINA’ Edited by Caterina Cardona and Giovanni Carlo Federico Villa (Skira). It gives you Leonardo — paintings, drawings, manuscripts — more or less complete, meaning you get far more of him than in the current Paris and London exhibitions combined, and the addition of extensive commentary by the art historian Carmen C. Bambach. Cartoons, drawings and portraits sit alongside written pieces ranging from queer readings of abstract expressionism to the role of the body in making art. Photographer Luke Gilford, himself the son of a professional bull rider, spent three years documenting the scene. This book offers both authoritative history and gorgeous visuals: The Berlin firm Double Standards provides an austerely handsome layout, while photographs by Iwan Baan and Vinay Panjwani show the open-air mingling that Mr. Doshi’s architecture inspires. It’s bound in PVC film, representing the “ultimate contradiction between the surface and what lies beneath”. At a time when so much new art feels so old, this work feels like the future, which is now. The book looks in particular at his images of male subjects, which are often sexually charged. Still too little known here, Antonello was among the first Italians to adopt the Flemish innovation of oil paint, whose slower drying times permitted unprecedented realism. One pleasant surprise is the number of female painters working in Europe in the 17th and 18th centuries. But this volume – the first to be fully dedicated to the couple – traces their relationship through rarely seen photographs, collages, paintings and weavings, which form a visual biography of the duo. Genetics and biotechnology have been her focus in an elaborate recent installation called “The Infinity Engine.” The succinct catalog, produced when the piece was shown in her 2018 exhibition “Anti-Bodies” at the House of Electronic Arts in Basel, Switzerland, offers a clear précis of her thinking. Below, they share their thoughts about their selections, listed in no particular order. Found after his death in 1973, these compelling and perverse pictures suggest private games between artist and model, and disclose how design can be an erotic enterprise. I’ve curated what I believe are the 20 best art books for modern video game concept art. This book is far more a reading experience than a looking experience. “Dead Christ Supported by Three Angels,” 1476-1477, by Antonello da Messina. There are breakaway artists and there are critics who follow their trajectories. The Life-Changing Magic of Tidying Up: The Japanese Art of Decluttering and Organizing. ‘LOVE, ICEBOX: LETTERS FROM JOHN CAGE TO MERCE CUNNINGHAM’ By Laura Kuhn (The John Cage Trust). (Ms. Paasche is also the co-curator of a Ryggen retrospective up now at the Schirn Kunsthalle Frankfurt.) Rishi Sunak is fighting a battle for traditional Tory values, What the world can learn from the Covid-19 pandemic, China sends a message with Australian crackdown, For 4 weeks receive unlimited Premium digital access to the FT's trusted, award-winning business news, MyFT – track the topics most important to you, FT Weekend – full access to the weekend content, Mobile & Tablet Apps – download to read on the go, Gift Article – share up to 10 articles a month with family, friends and colleagues, Delivery to your home or office Monday to Saturday, FT Weekend paper – a stimulating blend of news and lifestyle features, ePaper access – the digital replica of the printed newspaper, Integration with third party platforms and CRM systems, Usage based pricing and volume discounts for multiple users, Subscription management tools and usage reporting, Dedicated account and customer success teams. In 2003, New York-born and Buenos Aires-raised photographer Alessandra Sanguinetti published a photographic study of two cousins living in rural Argentina, as they grew from young girls into adolescents. Clockwise from top left, Tate, London; Beatriz González Archives, Museo de Arte Moderno de Barranquilla; Hatje Cantz; Estate of Robert Colescott/Artists Rights Society (ARS), New York, Sheldon Museum of Art; Kraków, National Museum/the Princes Czartoryski Museum. Is Jeff Bezos really serious about beating climate change? At the end of his life, he turned to oil paint and comported himself quite well, in a style related to that of Raoul Dufy, another of 20th-century art’s great, underestimated lightweights. Anni & Josef Albers: Equal and UnequalNicholas Fox Weber; Phaidon, £100. Get the print edition and steer from crisis to recovery, Young Poland: The Polish Arts and Crafts Movement, 1890-1918Edited by Julia Griffin and Andrzej Szczerski; Lund Humphries in association with William Morris Gallery and National Museum in Kraków, £40. By Tammy Coron, ImagineFX staff 17 September 2020. ‘CARLO MOLLINO: PHOTOGRAPHS 1934-1973’ Edited by Francesco Zanot (Silvana). Given free rein in the Museum of Modern Art’s archives, the authors mined the untold story of the museum’s fraught relationship with race in general and black artists and their work in particular. The scholar E. P. Thompson once said that to study Blake (1757-1827) is to realize that there are “a great many William Blakes.” And there’s a new one to be found here at every turn of the page. “I can divorce the work from that expectation of reality and refer to a different reality.” In this new title, produced to accompany a survey of her work opening at Tate Britain on 18 November, almost 80 of her rich, psychologically complex works are presented. This cogent, nuanced book — long in the works — focuses on the ways the rape of women has been depicted in the visual arts. The book reflects much — from the rise of photography as hobby, profession and art form to popular hairstyles (short) and poses. ‘LYNN HERSHMAN LEESON: ANTI-BODIES’ (Hatje Cantz). Open Studio captures these creative forces in the act of making an original project designed for readers to recreate at home. An antibody 3-D visualization, by the team of Dr. Thomas Huber, in “Lynn Hershman Leeson: Anti-Bodies.”, Clockwise from top left, a spread from “Bauhaus Mädels: A Tribute to Pioneering Women Artists”; Jacob Lawrence’s “When It Is Warm the Parks Are Filled with People” (1943), from the Harlem Series, in the “Edith Halpert” catalog; Marilyn Minter’s “Satiated” (2003), in “Great Women Artists”; Ibrahim El-Salahi’s “The Mosque” (1964), in “Among Others: Blackness at MoMA.”, Clockwise from top left; TASCHEN; Jacob and Gwendolyn Knight Lawrence Foundation, Seattle/Artists Rights Society (ARS), New York, Hirshhorn Museum and Sculpture Garden, Smithsonian Institution; Marilyn Minter and Salon 94; Artists Rights Society (ARS), New York/DACS, London, The Museum of Modern Art, Stuart Davis’s “Egg Beater No.

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