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harry carney biography

Aries Named Harry #14. Among his childhood friends were Johnny Hodges and Charlie Holmes, with whom he visited New York in 1927. Around 1944 he also took up the bass clarinet. [citation needed] The Ellington orchestra typically travelled on a tour bus, but Ellington himself did not; he was driven separately by Carney, a "quiet, calm presence". About. Carney joined Duke Ellington’s Orchestra when he was 17 in 1927 and remained for over 46 years, passing away in 1974 a few months after Ellington. Other Works [5] Having established himself in the Ellington band, he stayed with it for the rest of his life. Jazz Juniors Network Discussion Panel: Woman In Jazz. [5] He was a dominant figure on the baritone in jazz, with no serious rivals on the instrument until the advent of bebop in the mid-1940s. Harry Carney - Biography. Ellington wrote many showpiece features for Carney throughout their time together, such as "Frustration" (c. 1944-45). Swinging Suites by Edward E. and Edward G. Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York, Studio Sessions New York & Chicago, 1965, 1966 & 1971, The Carnegie Hall Concerts: December 1944, The Carnegie Hall Concerts: December 1947, It Don't Mean a Thing If It Ain't Got That Swing, It Don't Mean a Thing (If It Ain't Got That Swing), Just Squeeze Me (But Please Don't Tease Me), https://en.wikipedia.org/w/index.php?title=Harry_Carney&oldid=985782155, Articles with unsourced statements from November 2018, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, This page was last edited on 27 October 2020, at 22:38. [citation needed] In 1973 Ellington built the Third Sacred Concert around Carney's baritone saxophone. Biography. JazzStandards.com - All Rights Reserved      His wide-ranging adventures as a sideman further from or entirely outside of the Ellington orbit include sessions with Billy Taylor's Big Eight, the Coleman Hawkins Sax Ensemble, Lionel Hampton, Edmond Hall, Earl Hines, Harry James, Al Killian, Tyree Glenn, Jimmy Jones, Johnny Bothwell, and Dizzy Gillespie. Fictionalized accounts of these road trips are documented in Geoff Dyer’s But Beautiful (1991). [10], Carney was the longest serving player in Ellington's orchestra. Harry Carney's baritone saxophone was the anchor, the lodestone, the foundation of a distinctive tonal blend that virtually defined the Duke Ellington Orchestra for more than 45 years. Carney’s clarinet continued to be deployed in the well-known composition "Rockin’ in Rhythm", for which he is also credited as a co-composer. A bonus track version of "Sophisticated Lady" on the CD reissue of the Verve album Soul Call is a thrilling testimonial to Carney's lyrical profundity as a balladeer and his resilience as a practitioner of circular breathing, two of the many ways in which he influenced Rahsaan Roland Kirk, who in 1972 on his album A Meeting of the Times presented a duple portrait of Harry Carney and Barney Bigard by simultaneously blowing a clarinet and a baritone sax. He also helped to provide accompaniments for vocalists Billie Holiday, Al Hibbler, Nat King Cole, Ella Fitzgerald, Frank Sinatra, Rosemary Clooney, Pleasant Joseph, Buddy Clark, and Johnny Rae. His maternal grandfather was vaudeville entertainer George Fuller Golden.As a boy, he was nicknamed "Dobe", short for adobe, because of the color of his hair. [8], In January 1938, Carney was invited to play with Benny Goodman's band at Carnegie Hall. Harry Carney was born on April 1, 1910 in Boston, Massachusetts, USA as Harry Howell Carney. Permission & contact Most Popular #166774. He was an excellent, melodic soloist and anchored the sound of the sax section. His other main influences included clarinetists Buster Bailey and Don Murray and saxophonists Coleman Hawkins and Adrian Rollini. [5][note 1] He soon recorded with Ellington too, with a first session in October that year. One of Ellington's closest friends and confidantes. He played a variety of instruments but primarily used the baritone saxophone, being a critical influence on the instrument in jazz. Harry Carney was born on April 1, 1910 in Boston, Massachusetts, USA as Harry Howell Carney. Doubled on bass clarinet from 1943. [5], After Ellington added more personnel in 1928, Carney's main instrument became the baritone saxophone. Saxophonists. Short Biography. [7] Within the overall sound of the Ellington band, Carney's baritone was often employed to play parts of harmonies that were above the obvious low pitching of the instrument; this altered the textures of the band's sound. Ellington and Carney were close friends. Early life. After playing a variety of gigs in New York City at the age of 17, Carney joined Ellington in Boston. Songs | History |  Harry Carney was born in Boston, MA on April 1, 1910.Baritone saxophonist who played in Duke Ellington ‘s Orchestra for forty-five years, making him the longest-playing performer in the ensemble. | In addition, Ellington would sometimes feature Carney’s robust renditions of the melodies of such hits as "Sophisticated Lady" and "In a Mellow Tone". He was an early jazz proponent of circular breathing. He died on October 8, 1974 in New York City, New York, USA. A moving tribute to Carney, composed by Sy Johnson, was recorded by Charles Mingus in December of that year and included on his album Changes Two. Harry Carney's baritone saxophone was the anchor, the lodestone, the foundation of a distinctive tonal blend that virtually defined the Duke Ellington Orchestra for more than 45 years. Explore Harry Carney's biography, personal life, family and cause of death. Interested? In 1973 Ellington built the Third Sacred Concert around Carney’s baritone saxophone.http://earshot.org/Events/sacred.html. Articles It has to be said, however, that in later years Carney’s voice was heard a little less as a soloist than it was in the 1930s. After developing some proficiency on the alto sax, he visited New York with Holmes and gigged at the Bamboo Inn shortly before it burned to the ground. Louis Jordan. He was married to Dorothy. [14], The Famous 1938 Carnegie Hall Jazz Concert, Ella Fitzgerald Sings the Duke Ellington Song Book, Johnny Hodges with Billy Strayhorn and the Orchestra, Discography of American Historical Recordings, 10.1093/gmo/9781561592630.article.A2227923, https://web.archive.org/web/20051023050027/http://www.allaboutjazz.com/iviews/bluiett.htm, Never No Lament: The Blanton-Webster Band, Braggin' in Brass: The Immortal 1938 Year. Harry Howell Carney (April 1, 1910 – October 8, 1974) was an American jazz musician whose chief instrument was the baritone saxophone, although he also performed on clarinet and bass clarinet, in addition to the alto saxophone in the early years of his career. Together they gathered inspiration from 78-rpm jazz records. The majority of their careers they rode together in Carney’s car to concerts, allowing Ellington to come up with new ideas. Harry Carney. Harry Howell Carney Saxophonist, Clarinetist (1910 - 1974) The colored dots show the fastest links . | Harry Carney was a long tenured featured soloist in Duke Ellington's band and the first baritone saxophone soloist in jazz. [5] Carney's final recording may have been under Mercer Ellington's leadership, for the album Continuum. Harry Carney : biography April 1, 1910 – October 8, 1974 Harry Howell Carney (April 1, 1910 – October 8, 1974) was an American jazz musician whose chief instrument was the baritone saxophone, although he also performed on clarinet and bass clarinet, in addition to the alto saxophone in the early years of his career. information, Home | Over the years Ellington took to riding in Carney's Imperial automobile while the saxophonist quietly handled the steering wheel. Later took up alto sax and baritone sax. This is perhaps owing to the presence from late 1939 onwards of a regular tenor saxophonist (the most important of these being Ben Webster and later Paul Gonsalves), further increasing the pool of star soloists in the orchestra. Harry Carney's baritone saxophone was the anchor, the lodestone, the foundation of a distinctive tonal blend that virtually defined the Duke Ellington Orchestra for more than 45 years. We provide you with news from the entertainment industry. Shortly after joining Ellington, Carney was persuaded to play alto saxophone but soon gravitated to the baritone, an instrument he proceeded to make his own. He grew up next door to his future Ellington bandmate Johnny Hodges, four years his elder, who was an early influence on his music. [13] Carney's relationship with Ellington transcended that of musician and leader; he was Ellington's confidante and for decades he drove the Duke from gig to gig. After Duke sweet-talked Carney's mother into allowing the 17-year-old to continue his involvement with the band, a lifelong collaboration ensued. Conn, and like other jazz musicians was known to offer endorsements of his preferred brand.

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