‘The book, which considers Beethoven's string quartets of the middle period through numerous lenses, not only fills a previously existing gap in research, but also breaks new ground in terms of presentation and methods: questions of aesthetics, performance practice and analysis are all covered, as well as the reception history and narrative poetics of the string quartets. 1-6 when he was around 27-30 years of age, nos. 13 in B ♭ major (1825) Opus 131: String Quartet No. It's terrific and terrifying and wildly satisfying and the only questionmark about it is the strange fact that it repeatedly lapses into inexplicable out-of-printness. As a Gallic (Belgian) take on the quartets it adds a flavor hitherto not present on the market, which was until then made up largely of Russian and Anglo quartets. 12 in E ♭ major (1825) Opus 130: String Quartet No. The third DSCH SQ4t Cycle from the Borodin (not counting their one-off digital recording of a few quartets for Virgin)! A meandering review of this set can be found, I know little to none about this cycle, except that it was initially well received in the States, with Time Magazine selecting it as the Best of 1991 in the chamber music category. Only the husband-and-wife team of violist and cellist are still the same from their first go. If there was a fourth cycle that we'd recommend in the Shostakovich chapter of. I am, actually, intrigued to dive back into them before long. 222 (Mozart: The Best of Premat... Delightful Mozart and Britten @ Konzerthaus Berlin. The sound is surprisingly good. in their archives and is considering giving it a first-ever … The quartet goes back quite a bit; they wone second (top) prize at the ARD International String Quartet Competition in Munich in 1977 and had been a staple in the Naxos stable, also recording Mozart for them. Gritty and involving; occasionally on the slow side. Continuing my discographies, this is a survey of - hopefully - every extant recorded cycle of Shostakovich's String Quartets. Well, there it is anyway, live from Amsterdam. 6. ionarts.blogspot.com (jfl - 2008.05.29) Shostakovich with the Mandelring Quartett Shostakovich ˇs String Quartets are, alongside those of Bartók, Villa-Lobos, and possibly Bloch, the towering [20th century] achievements in that art-form. 5.0 de 5 estrellas 1 calificación. The first cycle of the Brodsky Quartet, recorded in Berlin shortly after they performed all the quartets in concert in London. 7-11 when he was 35-40, nos. ClassicsToday review, The second cycle from the Borodin, in stereo throughout and with terrific boni in form of he Piano Quintet (with Richter) and the Two Pieces for String Octet, has long been considered the definitive in authenticity and all-around quality. By all accounts, they did a great job - and for at least two decades this was the go-to cycle in the UK and beyond, where and when the second Borodin Cycle's incarnations weren't consistently available. The sixteen quartets of Ludwig van Beethoven are highly acclaimed. Mixed reviews, some very good, some ho-hum. 9, Bamberger Symphoniker, H. Blomstedt, Tchaikovsky, Sacred Music, G. Dziļums, Latvian Radio Choir, S. Kļava, H. Purcell / M. Locke, Orchestral Works, Vox Orchester, L. Ghirlanda, Handel et al., Concertos / Sonatas, M. Steger, La Cetra Barockorchester Basel, M. Nyman / H. Purcell, Songs, I. Davies, Fretwork, H. Schütz, Easter Works, La Petite Bande, S. Kuijken, J. S. Bach, Solo Cello Suites, A. Gerhardt, Monteverdi, Madrigals, Book 9, Delitiæ Musicæ, M. Longhini, A. Copland, Ballet Scores, Vol. You don't get more of a breath of authenticity, presumably. ClassicsToday have reviewed five of the six individual release. Please don't forget to erase the original mention of only 2 of the CDs. 20, no. Pity, because the cycle is rather good and was a perennial Penguing Guide favorite. Details are in sharp relief; harsh is very harsh; lyrical is very lyrical. jfl, Hello, I am also an avid lover of Shostakovich Quartets and have been collecting full-cycle recordings. 18, no. This is one of the three sets recommended in. 135, played as an encore at their Washington debut.
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