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shure ksm137 gearslutz

Use the supplied microphone mount with floor or boom stands. Industry-standard mic renowned for sonic accuracy in stage and studio performances. If you have any questions not answered in this guide, please contact Shure Applications Engineering at 847-600-8440, Monday through Friday, from 8:00 am to 4:30 pm, CST. Submit a ticket directly to Shure Customer Service staff, or reach out via phone or email. DuPont de Nemours and Company in the United States. Carrying Case for two KSM137 or KSM141 microphones and A27M stereo bar, Microphone Clip for AMS26, Beta 181, KSM137, KSM141, MX412, MX418, MX412S, MX418S, MX412SE, MX418SE, SM62, SM63, SM63L, SM63LB, SM81, VP64, VP64A, VP64AL and standard microphone stands, Isolation Mount/Swivel Adapter for KSM109, KSM137, KSM141, SM63, SM81, SM94 and VP64. FS: Shure SM81. This microphone can be purchased as a stereo pair (KSM137/SL STEREO). Premium bi-directional microphone featuring Roswellite® ribbon technology for world-class audio and performance. Its low self-noise and extended frequency response make it ideal for recording instruments. Does anyone know which one sounds flatter on acoustic guitar. Most modern mixers provide phantom power. “Popper Stopper” is a trademark of Shure Incorporated in the United States. Mount on a stand and attach microphones using 5/8"-27 thread stand adapters. However, it will operate with slightly decreased headroom and sensitivity with supplies as low as 11 Vdc. Over 90 years of audio experience has contributed to making this one of the finest microphones available. Hey there! PAG/NAG is a concept that can be used to determine if a sound reinforcement system can produce enough gain to provide an optimal listening experience before causing feedback. Flat, –6 dB/octave below 115 Hz, or –18 dB/octave below 80 Hz, Three-pin professional audio (XLR), male, balanced, Positive pressure on diaphragm produces positive voltage on pin 2 with respect to pin 3, 11–52 V DC[4] phantom power (IEC-61938) 4.7 mA, maximum, [2]THD of microphone preamplifier when applied input signal level is equivalent to cartridge output at specified SPL, [3]S/N ratio is the difference between 94 dB SPL and equivalent SPL of self noise, A-weighted. For more information, please visit shure.com/prop65 open_in_new. Higher impedance results in better performance for these specifications. Versatile, durable, and precise, the KSM137 is an outstanding microphone for instruments ranging from percussion to wind, strings to brass, and piano to guitar. WARNING: Cancer and Reproductive Harm www.P65warnings.ca.gov open_in_new. When you buy products through links across our site, we may earn an affiliate commission. 0 dB For "quiet" to "normal" sound levels. Versatile, durable, and precise, the KSM137 is an outstanding microphone for both live and studio applications. Use the low-frequency filter to reduce wind noise, room noise, or proximity effect. In addition to the standard accessories, the stereo pair includes a stereo stand adapter (A27M) for mounting two microphones on one stand. From what I can determine from the Shure website, though, the ksm137 seems to have a flatter midrange. What characteristics can I expect when using a KSM137? The KSM137 is a premium, end-address, condenser microphone with a cardioid polar pattern engineered for highly critical studio recording and live sound productions. It features a gold-layered Mylar diaphragm, preamplifier for transparency, subsonic filter to stop low frequency rumble, and a pad for handling SPLs. It has a high output level, low self noise and reproduces low frequency sounds exceptionally well. To achieve the best overall sound for a particular application, it may be necessary to experiment with microphone placement and room treatments. Its class A, discrete, transformerless preamplifier provides extremely transparent sound capture, and a three position switchable pad and low-cut filter allows for handling of extremely high sound pressure levels (SPL) and controlled bass response. A mic that sounds like the Shure SM81 but cheaper? −25 dB For use with in close proximity (less than 10 cm) to extremely loud sound sources such as drums, horns, or loud guitar cabinets. If its just on a Guitar A 184 I think would be much better. −15 dB For use with extremely loud sound sources such as drums, horns, or loud guitar cabinets. Thanks Tia for this thread- I've been wondering the same thing. I own a 137, but I'm interested in the sm81 because it appears it doesn't have the high end boost. For stereo applications, use the optional Shure A27M Stereo Microphone Adapter. Thank you for selecting the KSM series from Shure. Detailed policy information regarding customer service numbers, service modifications, and replacement parts. well, 81's are very very strange. By threshhold2 in forum Microphones Replies: 4 Last Post: 07-11-2006, 09:31. Cardioid instrument microphone delivers excellent sound isolation and superior transient response. In Europe, call 49-7262-92490. This product meets the Essential Requirements of all relevant European directives and is eligible for CE marking. Product Details The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. Its low self-noise and extended frequency response make it ideal for recording instruments. Visit www.shure.com for more mounting options: A three-position switch on the back of the microphone lets you adjust the low-frequency response. In Asia, call 852-2893-4290. End-address condenser microphone with mechanically switching dual polar patterns. For more information, search “Stereo Techniques” at www.shure.com (www.shure.com/stereo-tech). Second thing with them to me is the sound is "sort of" like something that is in the right direction, The right direction being lets say (soft yet defined on top, photographic in the middle, present in the low) the problem for me is the 81 sounds like (just soft on top very little definition ((which for me is the only good part)) something in the middle and something on the bottom) That's how I would describe it. Adjust the microphone angle using the knurled knob. Trademark Notices: The circular S logo, the stylized Shure logo, the word “Shure,” and “ShureLock” are registered trademarks of Shure Incorporated in the United States. Premium microphone with three polar pattern options (cardioid, omnidirectional, bidirectional). “Mylar” is a registered trademark of E.I. This microphone requires phantom power and performs best with a 48 Vdc supply (IEC-61938). Shure recommends a minimum input load impedance of 1000 Ω. From what I can determine from the Shure website, though, the ksm137 seems to have a flatter midrange. Read honest and unbiased product reviews from our users. One they "work" in the mix in a live situation. Our web address is www.shure.com. Thanks Tia for this thread- I've been wondering the same thing. The microphone operates at lower voltages, but with slightly decreased headroom and sensitivity. [4]All specifications measured with a 48 Vdc phantom power supply. Does anyone have any opinions on this? The KSM137 microphone can withstand extremely high sound pressure levels (SPL). State of California regulation. SHURE SM81 vs. SHURE KSM137. Most modern microphone preamplifiers meet this requirement. Precision-engineered small-diaphragm condenser microphone with interchangeable polar pattern capsule options. Still I have recorded with them (live - OH's - HH mics - Acoustic strings - percs - etc) Two wierd things. The KSM137 is equally at home in the studio or in live applications. The KSM137 is an end-address condenser microphone with a single cardioid polar pattern. The attenuation switch lets you reduce the signal level without altering the frequency response. Versatile, flat-response condenser microphone in both acoustic and high volume performance applications. This can prevent extremely loud sounds from overloading the microphone circuitry. Keep in mind that microphone technique is largely a matter of personal taste; there is no one “correct” microphone position. Does anyone know which one sounds flatter on acoustic guitar. Complete product documentation, technical support materials, software and firmware, and other tools and resources for all Shure products, in one place. Designed for studio use, yet rugged enough for live applications, the KSM137 can withstand extremely high sound pressure levels (SPL). Find helpful customer reviews and review ratings for Shure KSM137/SL Stereo Pair with (2) KSM137, (2) Foam Windscreens, A27M Stereo Microphone Adapter and Carrying Case at Amazon.com. The KSM137 is a premium, end-address, condenser microphone with a cardioid polar pattern engineered for highly critical studio recording and live sound productions. The 81 is physically larger and has a more neutral sound to me. The CE Declaration of Conformity can be obtained from: www.shure.com/europe/compliance, Headquarters Europe, Middle East & Africa. These marks may be registered in other jurisdictions. Chicago’s Navy Pier Overcomes RF Challenges with Shure ULX-D® Wireless, Download PDF

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